The central exhibit of the hall became the casket, and the geometry of the hall with its multidimensional and multiscale images that completely cover the walls and ceiling, is arranged in such way that the viewer appears inside such casket and finds there objects that invariably accompanied women in camp life.
This room as a casket, has mixed itself both reality and memories. On the opposite wall there is a collage made up from photographs of female prisoners of ALZHIR.